Jayalath Manoratne: A man of all talents
Mano was an actor of three mediums: stage, teledrama and Cinema. In these three mediums, he achieved the pinnacle of acting. The lat...
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Tony Ranasinghe was not the conventional Sinhala hero but a new kind of modern hero
Ranasinghe Hettiarachchilage Ignatius Anthony de Silva, known to the world at large by his stage cum screen name Tony Ranasinghe, wa...
A tribute to Titus Thotawatte
The eighties was a tumultuous decade for reasons we still haven’t come to terms with. For the lack of a better way of putting it, ev...
Mohideen Baig: The conscience of a collective
He was not forgotten in his time. In 1956, S. W. R. D. Bandaranaike conferred a Distinguished Citizenship on him. In 1967, he won th...
For The Sake Of The Industry – Bertram Nihal
You are a well-respected director and producer and have more than 30 years of experience in audio-visual production; can you elabora...
A star that shines against mist-clad Sri Pada
Punya Heedeniya turned 82 on July 31. She was 25 when I first saw her many, many years ago on television, and 78 when I first met he...
Sane media culture sans inane mega tele dramas
Being away from the hustle and bustle of our restless lives we all sit in front of the TV to relax. But unfortunately, the question...
Dharmasena Pathiraja: A cinematic icon
There are two names that spring to mind when one thinks about Sinhala cinema directors, Dr. Lester James Peries and Dharmasena Pathi...
Anula Karunathilaka: The Dhammi of our sensibilities
Anula Karunathilaka is known more than anything else for depicting a lover who, regardless of the decades and generations that have...
Punya Heendeniya’s journeys
In 1957, a group of people climbed Sri Pada with cameras, lighting equipment, and strange costumes. They climbed all the way to Maha...